Character Writing Tips
- By Harry Bingham
- Published 07/16/2011
- Free Stuff
- Unrated
What do readers want from character? They want entertainment. They want to feel empathy. Above all, they want your characters to feel alive. Here are three tips on how to achieve that.
1. Know your characters.
This a massive issue. Listen to the difference between this: "Karen felt herself getting angry. Her cheeks flushed and she began to pound the table and shout."
And this: "Karen felt herself getting quieter and quieter. Her throat felt constricted and dry. She wanted to get up to get another Diet Coke except that she wouldn't give him the pleasure of seeing her agitated. Instead, she forced herself to quieten down. The calmer she was, the more he hated it."
The first Karen is just too bland, too generic - too much like every crummy TV actor getting angry for the camera. The second Karen is not like that. She gets angry in her way, nobody else's. The writer can write that second character because he/she knows who they're writing about. They KNOW Karen. So tip one is simply this: the more intimately you know your character, the better you will write about them.
2. Give your characters a hard time
If you want to create empathy wi
th your characters, then give them a rough time. Plunge them into a turbulent world early on and don't let up till the end. It's sounds so simple, but quite honestly you have at least 50% of good character writing right there. Even a relatively bland, cliched character will cause readers to turn the page if we really feel that character's predicament.
After all, do you really remember much about the hero in a Patterson novel? DO you remember much about the heroine in The Devil Wears Prada? We doubt it. What keeps you reading is the turbulence that surrounds that person. So be nasty. Your fiction needs it!
3. Give your characters inner life
Another classic mistake is to concentrate so hard on describing what your character is saying / doing / seeing ... that you forget to say what they're thinking, feeling, remembering, sensing. And you need to combine all these things to create a vivid and lifelike experience of being some other person.
One brilliant tip is to read a page of your work and underline everything that's about your character's inner world. If you go page after page with nothing much underlined, then you've got a problem. And it's easy to fix it - just make sure to tell the reader about your character's inner life. So simple, but so powerful.
1. Know your characters.
This a massive issue. Listen to the difference between this: "Karen felt herself getting angry. Her cheeks flushed and she began to pound the table and shout."
And this: "Karen felt herself getting quieter and quieter. Her throat felt constricted and dry. She wanted to get up to get another Diet Coke except that she wouldn't give him the pleasure of seeing her agitated. Instead, she forced herself to quieten down. The calmer she was, the more he hated it."
The first Karen is just too bland, too generic - too much like every crummy TV actor getting angry for the camera. The second Karen is not like that. She gets angry in her way, nobody else's. The writer can write that second character because he/she knows who they're writing about. They KNOW Karen. So tip one is simply this: the more intimately you know your character, the better you will write about them.
2. Give your characters a hard time
If you want to create empathy wi
After all, do you really remember much about the hero in a Patterson novel? DO you remember much about the heroine in The Devil Wears Prada? We doubt it. What keeps you reading is the turbulence that surrounds that person. So be nasty. Your fiction needs it!
3. Give your characters inner life
Another classic mistake is to concentrate so hard on describing what your character is saying / doing / seeing ... that you forget to say what they're thinking, feeling, remembering, sensing. And you need to combine all these things to create a vivid and lifelike experience of being some other person.
One brilliant tip is to read a page of your work and underline everything that's about your character's inner world. If you go page after page with nothing much underlined, then you've got a problem. And it's easy to fix it - just make sure to tell the reader about your character's inner life. So simple, but so powerful.
Harry Bingham
Harry Bingham is a bestselling novelist, known for his character writing. He also runs The Writers' Workshop, which teaches you how to write and sell your book.
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